Someone hand me a cold brew, because “Love, Death & Robots” Season 4 just crash-landed on Netflix! On May 15, 2025, this wild anthology burst open the door with ten brand spankin’ new episodes. Season after season, this show has shelled out dazzling animation, cracked logic, and a punchy sense of humor. But here’s the pressing question—can lightning strike four times, or is the love story with this series finally, well, dead? Let’s go way deep on every new story, check up on what the crowd and the critics are shouting, and ultimately take this wild, animated beast for a joyride to see if it’s still got a heartbeat.
A Vibrant Lineup, Boldly Animated
First, let’s take a speedrun through these new tales, because every episode truly goes for something wild and different—you can’t even blink.
“Can’t Stop” – Chili Pepper and String Fever
Who kicked things off? None other than David Fincher, yes, the “Fight Club” guy, who decided to re-imagine a Red Hot Chili Peppers concert with, of all things, marionette string puppets! Seriously, just picture Anthony Kiedis as a puppet, belting out “Can’t Stop.” Blur Studio handled every strand and groove of that animation, all while the actual band provided voices. It’s oddball, it’s electric, and the internet instantly erupted with gifs and memes. People either adored the throwback vibe, or, honestly, they didn’t know what to make of it. Still, nobody can say it’s a boring opener.
“Close Encounters of the Mini Kind” – Small Package, Big Trouble
Small aliens, big mess! Episode two, cooked up by Robert Bisi and Andy Lyon, zooms in on a miniaturized alien invasion—with the world looking like a toy set. The animation, from BUCK Studio, cranks the cuteness to eleven but doesn’t skimp on chaos or the little green men shenanigans. In fact, it somehow makes the apocalypse look…huggable? Online, fans flooded Reddit and Twitter with love for the quirky visuals, with some even asking for a spin-off plush line. Because, of course.
“Spider Rose” – Back to the Swarm
Then, boom, we’re back with Jennifer Yuh Nelson in a “Swarm” adjacent cyberpunk tale—“Spider Rose.” Gritty. Sad. Full-on vengeance quest. After losing her husband, a lone Mechanist gears up for retribution on a lonely asteroid. Blur Studio lends the animation its dark shimmer. Fans of last season’s “Swarm” might get hit with déjà vu, but this tale turns even colder and meaner. Emily O’Brien and Sumalee Montano nail the emotions with their voices. Viewers seemed split online in their reviews, some hungry for more of this ‘swarmverse’ and others wishing for a little more lightness. Either way, the emotional punch lands hard.
“400 Boys” – Gangland Goes Bushido
Talk about an aesthetic swerve. Robert Valley directs this futuristic gangland epic. Ruins, rival factions, strange codes of honor—then, enter the legendary “400 Boys.” Suddenly, enemies must unite or face extinction. Passion Animation’s style shimmers between beautiful and brutal, and the voicework—John Boyega alert!—draws viewers deeper into the neon pile-up. Social media hot-takers loved the stylish violence and the moody, synth-laden soundtrack. For some, this one’s the hidden gem of the season.
“The Other Large Thing” – World Domination, Furball Style
If you wanted a laugh break, John Scalzi and Patrick Osborne absolutely deliver. “The Other Large Thing” features a determined cat named Sanchez preparing for world domination. His sidekick? A robotic butler, with the dry wit of John Oliver. AGBO (yes, the Russo brothers!) produced this delight. Cat people went nuts online, with #Sanchez4President briefly trending on X. It mixes cute, evil, and just enough satire to keep your coffee from spilling. This is Love, Death & Robots with a wink and a paw swipe.
“Golgotha” – Hallelujah, the Dolphin Messiah
Now for something completely bonkers. “Golgotha” is part live-action, part VFX fever dream. Tim Miller directs, with Luma Pictures bringing the wild visuals. Rhys Darby plays a vicar entertaining an alien emissary who believes the savior of the universe has returned—guess what, it’s a dolphin. Twitter went into meltdown mode over this one, debating the theology of dolphins and quoting the episode’s wildest lines. If you want to feel like you’ve woken up inside the weirdest church service ever, this episode is your personal invitation.
“The Screaming of the Tyrannosaur” – Aristocrats on Dino Back
Moving to Jupiter’s orbit, Tim Miller lets the carnage loose. Aristocrats, luxury, and of course—genetically engineered dinosaurs battling on command. Blur Studio’s animation here is lavish, noisy, and satisfyingly over-the-top. The voice cast, featuring YouTube giant MrBeast and Bai Ling, drew attention from several corners of the fanbase. One YouTuber dubbed it “Game of Thrones with way more teeth.” Fans championed the outrageous spectacle, while some called it “too much chaos, not enough plot.” But hey, sometimes dino gladiators are just what the doctor ordered.
“How Zeke Got Religion” – WWII With a Demonic Twist
Shifting gears, Diego Porral drops us into World War II. A B-17 bomber crew faces a cruel mission: bomb a church before the Nazis can unleash something ancient and unspeakable. Titmouse animates this pulse-pounding tale. The voice cast includes gritty turns from Keston John and Roger Craig Smith. War buffs and horror fans both found a lot to love here, with threads breaking down the historical settings and, of course, the supernatural twist.
“Smart Appliances, Stupid Owners” – Domestic Drama, Appliance Style
Patrick Osborne returns with this razor-toaster-washing-machine comedy. Yes, the appliances talk, and yes, they’re unanimously unimpressed by their owners. Aaron Sims Creative handles crisp animation, while the cast (including Melissa Villaseñor and Kevin Hart!) keeps the one-liners hot and fresh. Fans instantly drew comparisons to “Toy Story,” but the jokes here cut sharper, and the satire hits home. Nearly everyone wished their Roomba had this much personality.
“For He Can Creep” – Paws versus Satan
Last but not least, Emily Dean adapts Siobhan Carroll’s delightfully bizarre short story. Meet Jeoffry the cat, 18th-century London’s furriest hero, tasked with stopping Satan himself. Polygon Pictures serves up lush, moody animation. Dan Stevens and Jim Broadbent bring the voices, sowing both mischief and salvation in equal measure. Book lovers and history nerds fell for the Dickensian flair and poetic nods, while cat fans…well, they’ll adore Jeoffry no matter what.
How Did Fans React?
Let’s be real: this show’s fandom never shies away from an opinion. After dropping, the new season stormed up Reddit, Twitter, and TikTok with instant hot takes. Some fans craved even wilder experimentation, while others cheered the show’s return to darker, more mature themes. Several episodes, specifically “Can’t Stop” and “The Screaming of the Tyrannosaur,” smashed into meme culture almost overnight. Even Netflix’s own site highlighted the renewed energy around the release (Netflix Tudum). Most viewers pointed to the sheer variety—animation style, voice acting, and themes—all as reasons to binge, dissect, and then argue passionately online for days.
And yes, the sonic boom landed on review sites, too. According to early audience polls and official Netflix engagement numbers, episodes with pop culture hooks or wild reversals (“Golgotha,” “For He Can Creep”) leapt to the top in Watch Again lists. A few returning creative teams, like Jennifer Yuh Nelson and Tim Miller, already held fan followings, but their latest work seems to have won more admirers.
But What About the Critics?
Critics always stack the spotlight a little differently than the fans. Early responses, straight from outlets like IGN and Den of Geek, point out the show’s formula—freaky sci-fi, dark comedy, and shock value—is alive and well. However, some reviewers wonder if the anthology risks repeating itself. Others, though, cheer its steady refusal to tone down the experiment. Episode rankings on Rotten Tomatoes trend high (the general consensus: average score over 80% for the anthology as a whole), but a couple episodes caused more division. The live-action gamble in “Golgotha” met with some shrugs, while “Close Encounters of the Mini Kind” became a critic darling for its heart and craft.
Emmy-watching outlets have already started speculating about another trophy haul, since prior volumes scooped up awards for Outstanding Short Form Animated Program and sound editing. There’s definite chatter about Blur Studio’s animation for “Can’t Stop,” and even more buzz about whether “For He Can Creep” snags a nomination for adapted screenplay. The long and short? Nobody’s tuned out, not even the pickiest critics.
So—Is the Spark Still There?
Alright, here comes the fun part: is “Love, Death & Robots” still alive and kicking, or does this season feel like a last gasp? Hard facts first: Netflix’s release numbers and social buzz put this season right on par with previous hits. That’s not a small feat for an anthology on its fourth round. It’s clear the showrunners want to keep things energetic—picking creators like David Fincher, Robert Valley, and Tim Miller. They play with animation, voice talent, and storytelling as if each episode might be the last one they ever make.
But it’s more than just technical shine. Each story lands with its own flavor. Some hit you in the gut (“Spider Rose”). Others coax out laughter (“Smart Appliances, Stupid Owners”). A few, like “The Screaming of the Tyrannosaur,” just want to blow your mind. The risk-taking is still palpable, and fresh themes—like AI in your kitchen, or cosmic salvation by dolphins—keep things unpredictable.
Both audiences and critics seem to agree: the show hasn’t lost its spark. Complaints about repetition or unevenness pop up, of course, but in an anthology? That almost spells success—it means the experiments still matter, because not everyone wants the same ride. One thing’s sure: if you crave bite-sized stories that juggle animation wizardry, wild ideas, and pulsing heart, “Love, Death & Robots” Season 4 is not about to let you down.
Bring in the Next Batch!
To sum up? Season 4 feels like a wild night out after three years of quarantine—loud, weird, and unforgettable. The show manages to honor its roots but refuses to get boring. Whether you tune in for dino warriors, puppet musicians, or poetic cats fighting the devil, you’ll find something that gnaws at your imagination long after the credits roll.
So, is the anthology still “Love”-able, or “Dead” on arrival? Based on this outpouring, it definitely roars along, claws out and ready for more. And now, if you’ll excuse me, I’m going to rewatch “Can’t Stop.” Someone’s got to memorize those puppet moves for karaoke night.
